Today I read Days of Future Past by Chris Claremont, Jim Byrne, Terry Austin, John Romita Jr., Bob McLeod, Glynis Oliver, and Tom Orzechowski, the trade paperback collecting Uncanny X-Men #138-143 and X-Men Annual #4, and Days of Future Past the prose novel by Alex Irvine based on the Claremont/Byrne storyline.
2013: The fight for freedom is over, and the bad guys won. America’s mutants are dead or living in captivity, subjugated under the robotic Sentinels, who are about to expand their mandate worldwide: destroy all mutants, and anyone else who gets in their way. The nations of the world, unwilling to stand aside while their citizens are attacked, have formed a dangerous plan to nuke what remains of the United States, to stop the Sentinels. The world’s only hope lies in the hands of what remains of the X-Men and their desperate attempt to stop the madness before it ever starts.
October 31st, 1980: The day it all began. The beautiful and deadly Mystique is on a quest to create a new Brotherhood of Evil Mutants, and for their first act she has decided that they will assassinate Senator Robert Kelly, a vocal opponent of mutantkind. She believes that this will prove that mutants are not to be trifled with, not to be threatened or subject to government-sanctioned bigotry. Instead it leads to the death of all mutants, and the ruination of a once-great nation.
Kate Pryde, one of the last living X-Men, will brave time itself, risking her marriage, her life, and her friends’ lives, to save the life of a man who wishes her nothing but ill– in a dangerous attempt to make the world a safer place for her children who never lived. Because an X-Man never gives up.
I was curious to read these since the movie just came out this past May, and I’d never actually read the original storyline before. I picked up both the trade paperback and the prose novel at Niagara Falls ComicCon, since I was curious how each format would treat the story. For what is considered to be one of the best X-Men storylines and to have spawned both a full-length novel and a major feature film, the original Days of Future Past story is only 2 issues long. The mind of the mature Kate Pryde is sent back in time by Rachel Summers into her 13-year-old body, to warn the X-Men about Mystique’s plans to assassinate Senator Kelly, an event which leads to a dystopia in which people are judged based on their genetics and mutants are either dead or living in internment camps. At the same time that Kate is occupying Kitty’s body, the remaining X-Men in the future attack the Sentinels’ headquarters, trying to destroy them before they can launch their attack against the mutants of Europe and force the nuclear retaliation waiting.
The prose novel stays fairly close to the comic, while making a few changes to be able to stretch the story out to a novel’s worth. Kitty wakes up in the future and spends time with them, to understand their plight and to fast-forward the action so the group isn’t carrying too many limp bodies around into action. We see much more of the lesser-known X-Men like Franklin Richards and Rachel Summers, and more about Logan’s Canadian Resistance Army.
The movie, of course, is extremely different, since it was trying to tie together the two separate movie-verses of the X-Men, and using Hugh Jackman’s Wolverine as the main character who goes back in time instead of the lesser-known Kitty/Kate Pryde. They go to the 70s, instead of the 80s, so that they can use the X-Men: First Class cast, and make Bolivar Trask, the inventor of the Sentinels, the object of Mystique’s anger, instead of Senator Kelly who only feared mutants, and they eliminated the Brotherhood of Evil Mutants and make Mystique a lone gunwoman, as it were. While I enjoyed the movie, it was very clearly a different universe than the comic and prose novel.
Personally, I’m fond of the prose novels that Marvel has been publishing, such as Civil War or Iron Man: Extremis, which is waiting for me on my shelves right now. I like the extra detail that novels can provide to the story. That said, the cover of Uncanny X-Men #141, used on the cover of the trade paperback as well, is an enormously evocative image–Logan and Kate on the run, cornered and afraid, standing in front of the images of their friends, all apprehended or slain. The image is repeated when Kate describes walking across the graveyard at the internment camp in New York, and all of her friends who are buried there. They died because of what they were, because people hated them because of how they were born. The X-Men have always been a metaphor for racial tensions, ever since they were created in the 1960s. Shame we still have to tell their story, since based on the news people still aren’t getting it.
A great story for Marvel comics fans, and fans of time travel stories, and the different formats that the story has been told in each add their own perspective to the tale of what happens when fear and hate are allowed to rule.